METAMORPHOSIS OF THE LANDSCAPE
- URBAN DENSITIES 2000–2007
- POST-VISUAL STRESS 2007–2011
The human gaze operates as a metaphorical device for a landscape in constant transit between the physical and the metaphysical.
Its observation—marked by rhythms, pluralities, and tensions—configures an intimate dialogue of entries and exits. Perception functions as a system of relations. Within these interstices, color reveals itself as unstable: it does not exist in itself, but rather emerges through interaction with its surroundings.
They appear as a seductive shimmer, almost a glittering of light across the surface of the sea.
This vibratory quality—closer to incidence than to representation—leads to a deepening of the relationship between light and matter, as phenomena in constant transformation.
URBAN DENSITIES 2000–2007
Untitled. Oil on canvas. 50 × 67 cm. 2000.
Urban space appears as a containing structure that regulates circulation and constrains drift, operating as the material correlate of a split between the impulse of the mind and the body’s capacity to sustain it; within this misalignment, the gaze shifts—from the horizontal plane to the sky and back to the ground—as a practice of perceptual reorientation that opens up alternative trajectories and readings, while light and shadow act as agents of transformation of the visual field, inscribing within it a multiple experience of time and space.
Untitled. Oil on canvas. 150 × 150 cm. 2005.
POST-VISUAL STRESS 2007–2011
POST-VISUAL STRESS. Oil on canvas. 150 × 150 cm. 2007.
POST-VISUAL STRESS. Oil on canvas. 130 × 165 cm. 2010.
POST-VISUAL STRESS. Japanese printmaking technique on Kozo paper. 60 × 60 cm. 2010.
URBAN NETWORK Drypoint on paper. 50 x 68 cm. 2011.
